✦✦✧✧ This feels like DT’s take on Pink Floyd – The Wall… but doesn’t work nearly as well. The band repeatedly make bad trades by subduing their collective virtuosity in exchange for limp and forgettable songwriting. Also, these songs have a bad habit of going from Shred to Meh’d and back again, undercutting any hope of momentum. See the rest here
✦✦✧✧ This isn’t the worst thing that Megadeth have done (that honor still stays with Super Collider). Also, the shredding here is satisfyingly sharp, and the production is crisp and heavy. I’ll remind you here that Chris Adler is playing drums on this, because otherwise you’d never know it from listening to the album. See the rest here
This is great for what it is. What it is not is metal. There’s maybe 30 seconds of metallish stuff on this EP, and the rest is instrumental jazz with a drummer who’s got double kick drums, more Satrianiesque than ever. See the rest here
★★☆☆ This album finds the star-crossed band aiming for Mastodon-style sludge… and just missing the mark slightly. The music lands in this uncanny valley where it’s too wanky to effectively grab you the way that great stoner metal usually does, and at the same time too often the music is also sleepier than you’d want from a fun shredfest. See the rest here
★★☆☆ No-nonsense punkthrashrock. As odd as that phrase seems, it’s the best description I’ve got for this album. Once it starts, the ride don’t quit. It’s a bit simplistic and without a huge amount of variety, but it’s excellently executed for what it is. Also, it’s got a good beat, and I can bug out to it. See the rest here
★★☆☆ This is some excellently moody doomish metal, but it’s ponderous in length, and after a while I kinda tuned out. I could tell now and then that interesting stuff was happening, but those gems are surrounded by a whole lot of interchangeable plodding. I rate this 2 out of 4 grunts. See the rest here
★★☆☆ This is another brickwalled slab of noise, short-ish and intense as you’d expect from Enabler. You’ve got a handful of standout tracks that feel like fresh territory, and you’ve got a number of tracks here that feel painfully and regrettably rote by now.
All of that said, I actually listened to this album twice. See the rest here
★★☆☆ DYK take a definitive step closer to djenty metalcore. The brutals are even more brutal than last time, and that’s the good news. The bad news (and this is indeed news to me) is that apparently you can’t really pull off the clean singing metalcore thing with a detuned 8-string sound, at all. See the rest here
★★☆☆ It’s not horrible, actually. Sounds more like a collection of Tesla or Alice In Chains B-sides. If you can get past the voice in your head asking why this was made in the first place, you might enjoy this platter of hard rock. At least, until the band succumb a bit too much to their cheesy inclinations on latter-half track “My Old Man.” See the rest here
★★☆☆ As technodeath bands go, Rivers Of Nihil definitely have the performance chops on lock. The songwriting however continues to be a tepid soup of riffs and screeches. It’s heavier than their debut album, to be sure, and I like that. I just have a hard time recalling anything I’d just heard, mere moments after hearing it. See the rest here
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