That looks like a nice and cozy metal evening, and great to hear that Coroner has fans born in two different centuries! They didn’t make it to my neck of the woods on this tour, although I do see that they played last week in Houston, in the same venue I played last July! See the rest here
✦✦✦✧ Meet the new and improved FGA, with a sound as epic and balls-to-the-wall as you’d expect, but now catchier than ever. More room is given to singer Veronica Bordacchini, and the songs are generally tighter, more concise, and more accessible. But the album still shreds where it wants to. See the rest here
✦✦✧✧ Very shreddy middle-of-the-road classic speed thrash. If you like Morbid Saint, you’re gonna love Morbid Saint! See the rest here
✦✦✦✧ Oranssi Pazuzu continue their avant-garde electronicky black metal explorations, but in going farther than ever before with their cross-genre borrowings, they’ve managed to turn in a sound that is also their most listenable? I promise, even if you’ve heard these guys before, this album will keep you guessing. See the rest here
✦✦✧✧ A thoroughly passable Slayer-adjacent album. Don’t expect too many revelations or surprises; even Death Angel vocalist Mark Osegueda sounds more Arayaish here than usual. See the rest here
Thanks for the fantastic-as-always concert review! I’m even less familiar with GR than Zig, so I’ll have to check ’em out.
Here’s one bit of trivia that your post touched on: when multiple bands in a show share equipment, we say that the source band is backlining. That implies that that band is providing all the primary equipment needed to make music onstage. See the rest here
✦✦✦✧ Holy hell. This is Aborted’s best work since at least Retrogore, and may even surpass The Necrotic Manifesto (their previous high water mark). This album answers every criticism I had from the previous two efforts, sticking closer to their tech death basecamp while still being experimental and borrowing moves from almost every other modern metal genre (with the exception of black metal). See the rest here
✦✦✦✧ After seven years away, JFAC treat us with this powerhouse album, a followup to 2014’s Sun Eater. The band continue to hone their punishing brand of techdeath, flirting with a more experimental approach to their songwriting. The riffs on here: sheer madness. Shout out to the always great Navene Koperweis filling in on drums this time around (but everyone turns in epic performances here). See the rest here
✦✦✧✧ Al-Pal ushers in 2024 with what is allegedly Ministry’s penultimate album. What that means is more guitar-forward industrial, with a shiny new production patina and not-at-all-novel spoken word samples, acting as a backdrop for anything that a left-leaning American might rail against these days (toxic masculinity, white nationalism, climate change, MAGA, you name it). See the rest here
✦✦✦✧ So, when I said that Ihsahn is my favorite Norwegian composer since Edvard Grieg, I didn’t mean that he had to go quite so orchestral with the music. The lush arrangements here often work, but when they don’t work, they sound as awkward as Michael Kamen and the SF Symphony’s contributions to Metalica (ie, conspicuous and ill-fitting). See the rest here
This work by Metalligentsia is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.