✦✦✦✧ Skinlab walk the thin line between revigoration and rehash, with just enough nu-metalisms to remind you who you’re dealing with (without the whole thing sounding dated). Most interestingly, there’s also enough shared DNA here with heavy acts like Tombs, Machine Head, and even Sepultura to make this music sound both familiar and novel. See the rest here
✦✦✦✧ Run, don’t walk to your nearest wifi enabled device (or if you are JaPaBo, inefficiently procure a hard copy in the format of your choice) to listen to this gem. For the first couple of tracks, which come out of the gates hard, it’s like you are listening to the best DM album of 1991 you somehow missed, but with better production. See the rest here
✦✦✦✧ The secret to this album is the free experimentation that Jinjer indulge in. The result reminds me of Destrage with less examples of inhuman shredding. But don’t worry: you’ll still get your Periphery, SikTh, and Mudvayne fix. It’s kinda nuts that Jinjer put out two excellent albums this year; crazier still that this latter release is the better of the two. See the rest here
✦✦✦✧ Much of what I wrote regarding my first listen to F2A2’s previous album The Great Collapse still applies here: this is some heavy and satisfying Gojiracore! If anything, this one is more of an experiment than its predecessor; that some of those experiments don’t pay off is to be expected. See the rest here
✦✦✦✧ This is clearly intended to be Cattle Decap’s nihilistic master opus, and I can’t fault their approach: capitalize on the winningest moments from Monolith Of Inhumanity and The Anthropocene Extinction, set the action in space, and lace in some blackened death for even more epicness! See the rest here
✦✦✦✧ Slightly more melodic black metal, with loads more atmosphere than the band usually deliver, and just a hint of progressive friendliness to taste. It’s a subtle and cohesive admixture, and definitely scores highly on emotionality and immersiveness. Perhaps my favorite Abigail Williams album so far! See the rest here
✦✦✦✧ Shoegazey black metal/post-black done to perfection. That is to say, it’s moody, meandery, and slippery. The album’s high marks are a testament to how well the emotionality works. See the rest here
✦✦✦✧ It makes a lot of sense that gothic metal would appropriate some of the milder, more polished elements of djent. And it makes a lot of sense that gothic mainstays Lacuna Coil would lead the charge. But what will blow your mind is just how much this new version of the Lacuna Coil formula works (or at least doesn’t outright fail). See the rest here
✦✦✦✧ The best way to enjoy this album is to be open to the idea of what Refused used to be, without thinking for a moment about “The Shape Of Punk To Come.” If you can thread that needle, you’ll have the mindset needed to enjoy this energetic, guttural punk/metal hybrid. See the rest here
✦✦✦✧ Staggeringly complicated, perverse, and heavy progressive metal; if I had to draw a comparison, it’d be to some segments of latter-era Death or Gorguts. I wish there was more bass (or at least that the bass was more present in the mix), but otherwise this is a tight and compelling listen. See the rest here
This work by Metalligentsia is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.