Thanks for the list! As usually, I have heard very little of them. Enjoyed the Enslaved a lot, and have heard some of the In Flames (saw them open for Meshuggah last week, which was great—more on that in another email). I will try to listen to a few. I’ll tell ya what I did love is the new Overkill! See the rest here
Hey freinds,
Barring any last-minute writeins or surprises, this is my set of the finest new releases I heard in 2023. See the rest here
✦✦✦✧ These guys aren’t the kings of NPR Metal for nothin’. Equal parts black metal, prog, and Dead Can Dance, this album once again marks an evolution of their sound, if not a complete departure. It’s full of surprises from start to finish. Do me a favor and give it a listen, if for no other reason than we can talk about it afterward. See the rest here
Jesus fucking christ, guys. You know what kind of year this was. And if somehow you forgot what 2020 was, consider this: over the past 12 months, I have only managed to audition 52 new albums, or 1 per week. That’s something like 40% my usual workload. Do you have albums that I missed? See the rest here
✦✦✦✧ This, finally, is an Enslaved album that I can enjoy without reservation. The pacing is great, bordering on psychic; the blending of styles (black metal, prog, beerhall, Viking, jazz) is tasteful, sensible, and pleasing to the ear. This is a Must Listen for sure, and my favorite Enslaved album ever. See the rest here
✦✦✧✧ A well-crafted, but ultimately too precious, collection of prog. Too much of the album feels like forced meditation, with a minimalistic reliance on droning repetition. See the rest here
★★☆☆ Enslaved continue making themselves comfortable in the micro-niche between classis black metal tropes and Opeth/Ihsahn-style intricacy. In fact, they wind up sounding a little too comfortable. The songs all go on a minute too long, in part because the extremes — the most energetic and the most subdued — are anything but. See the rest here
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