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Brendon SmallGalaktikon II: Become The Storm

✦✦✧✧ This is a thoroughly solid speed metal/melodeath album, with tasty riffs throughout, and top-notch shredding by everyone in the band (who, it should be stated, are the same people behind Dethklok). That said… while this could be thought of as an unlicensed Dethklok album (at least according to Brendon Small and Gene Hoglan), the name isn’t the only thing missing from this album.

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The HauntedStrength In Numbers

✦✦✦✧ This latest album is quintessential Haunted, but not in a way that relies on the proven formula. There is a reinvigorated savagery here, as well as a new melodic sensibility throughout. Those two observations don’t normally coexist well, but on “Strength In Numbers” they thrive in equal measure. I know that, when reviewing their last album “Exit Wounds,” I’d said that it was the best thing the band’s done since “The Dead Eye.”

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CormorantDiaspora

✦✦✦✧ Cormorant continue their dirty Mastodon-meets-The-Ocean blitz, trading some of their progginess for straight-up sludge. Doubling down on their doomier tendencies seems like a smart move for the band, as it gives them more space to explore and elaborate than ever before. But the last ten minutes is ten minutes too long for this album.

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OMG QUICKSAND

Quicksand are touring the US this fall. I’ve managed to see them live on three separate occasions (twice post-breakup), and they’re still as feral as ever. So I was already feeling pretty excited… until the band took to social media an hour ago to tease us with new material, including the enigmatic-but-not-really mention: “interiors | 2017”

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WarbeastEnter The Arena

✦✦✧✧ An old fashioned slab of music that splits its time between deathy thrash and energetic stoner metal, like a bunch of Slayer B-sides as if hastily mixed by Joe Barresi. The title track reminds me of a sloppier Slipknot. But I’m not harshing on this album with any real malice; it’s a fun enough time, in a barroom-brawler way.

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River BlackRiver Black

✦✦✧✧ This mostly-Burnt-By-The-Sun not-a-supergroup (also featuring ex-members of Municipal Waste and Revocation) is some nasty business. It’s first and foremost a tour of various kinds of aggression and swagger (evocative at times of Norma Jean, Entombed, and Sepultura at their punkiest). This, the band’s eponymous debut, is a weighty chunk of red meat without any filler.