★★☆☆ This is a good Floridian death metal album, and more of a return to form after last year’s more grindcorish “The Headless Ritual.” And yet, aside from updated production values, there’s not much here that stands out or excites me. I wouldn’t call it boring, but I wouldn’t call it special either. See the rest here
★★☆☆ This is a curious prog metal album, one with great aspirations but quite a few stumbling blocks (the vocals and production chief among them). That said, if you’re looking for a Dream Theater clone with more unpredictability, this might make your day. See the rest here
★★☆☆ This is solidly decent middle-of-the-road metalcore. There’s enough differentiation here that you might be able to differentiate Voice Of Ruin from As I Lay Dying or All That Remains, and there are a couple of interesting moments sprinkled throughout. But aside from all that mild praise, this album is fairly forgettable. See the rest here
★★☆☆ Slightly more interesting than just by-the-numbers black metal, but this still manages to not come across as surprising or inventive. It falls somewhere between Burzum and Dethklok somehow. See the rest here
★★☆☆ This is an oddly satisfying album. It never strays far from its bun-shaking hair metal roots, but it comes atcha by way of a surefooted technicality and progressiveness a la King’s X. This is a must-hear (especially the stand-out track “Tin Soldier”), but probably just once. See the rest here
★★☆☆ Very well done mathcore that yet somehow fails to inspire. You’ll nod your head, but kinda because you just have to, ya know? Nice interesting and “brutal” breakdowns, though, so there’s that. See the rest here
★★☆☆ This is pretty much Gorguts by way of The Melvins or Fantômas. If you’re into that sort of thing. It’s expertly done, but there’s no way I can do anything other than hold on to the dash for a whiteknuckled ride that is impossible to remember as soon as it’s over. See the rest here
★★☆☆ This album is confusing, like a mashup between Textures, early Devin Townsend, and Scar Symmetry (with a smidge of Opeth thrown in for good measure). It’s proggy as the day is long, and a pleasantly unusual ride. Unfortunately, I can’t say that any of it is particularly memorable. See the rest here
★★☆☆ This is some choice noise, with hints of Sick Of It All, SOD, and Fantômas. The latter is probably why this album of 2-minute songs still manages to feel a little overlong, however. See the rest here
★★☆☆ Slightly more palatable and melodic black sludge that goes down smooth. And while it does suffer from the monochromaticism typical of the genre, it does also offer interesting sound choices (and is blessedly not overlong). See the rest here
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