Author & Punisher — Beastland
✦✦✧✧ This is Tristan Shone at the top of his game. Nasty, brutal, uncompromising industrial. This is also pretty much not metal.
✦✦✧✧ This is Tristan Shone at the top of his game. Nasty, brutal, uncompromising industrial. This is also pretty much not metal.
✦✦✧✧ While I applaud Robin Staps and his voracious creativity, this time around the result feels less focused and enthralling. The music starts out in solidly familiar territory, but then veers into post-metal, sounding at times like Deftones and A Perfect Circle. You would think this would be a good thing; I’m just not sure it is.
✦✦✧✧ More or less, this is an embodiment of everything that djent is trying to get away from.
✦✦✧✧ On one level, this is every bit what you’d expect from a Revocation album: unabashed virtuosity in the most fun metal ways imaginable. On another level, the album laudably goes for a wide assortment of musical genres (rethrash, death metal, grind), but does not particularly stick this landings very well.
✦✦✧✧ Somehow, Behemoth keep getting better even after all this time. Their latest is every bit as moody and emotive as anything they’ve done before, and epic as always. Also, I’m beginning to think that Nergal has something against religion.
✦✦✧✧ It’s an odd thing to hear a band try to be simultaneously accessible and fucking weird. In Haken’s hands, it comes across like an awkward fusion of Leprous and Muse. By now, the band have made the logical evolution from 80s-inspired prog metal to a metal-and-synthwave melange of influences. Just about the solitary cohesive element here is almost pathological usage of odd time signatures, which sometimes work out just fine, but often wind up euthanizing the material’s sense of flow or momentum.
✦✦✧✧ This is a Soulfly album. Need I say more?
✦✦✧✧ YOB’s vocals are much improved this time around, but the band’s plodding stoner metal is as deliberate and singleminded as ever. On some tracks, like “Beauty In Falling Leaves,” this pays off. For other tracks, the material feels underdeveloped, evincing a run-this-one-riff-into-the-ground approach.
✦✦✧✧ I give props to AIC for continuing to be even halfway relevant. And this album has more grit and snarl than one would reasonably expect from the band. And there are a number of very cool riffs and motifs throughout the album. The pity is that, at the same time, the songs here feel/sound like they’re under a thick blanket.
✦✦✧✧ Obscura have teetered over into full-blown Cynic mode. Gone is the hitherto casual-at-best relationship the band had with song structure. Instead, “Diluvium” is an all-you-can-eat riff salad bar, with not much deference given to pacing or flow. The band are great at what they do, but this is one trying listen.
This work by Metalligentsia is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.