Origin — Abiogenesis: A Coming Into Existence
✦✦✧✧ Look on the bright side: if you’re wanting brand new death metal that sounds like it came from Tampa in 1991, have I got an album for you!
✦✦✧✧ Look on the bright side: if you’re wanting brand new death metal that sounds like it came from Tampa in 1991, have I got an album for you!
✦✦✧✧ This album is fifteen minutes longer than Amon Amarth usually give us; this is one of those times when less would likely have been more. There are some gems of Viking metal, and I could imagine slipping a couple of these tracks into my lifting playlist, but there’s an awful lot of Not on here as well.
✦✦✧✧ You’re either already into Sunn O))), in which case nothing I say will matter, or you’re curious, in which case let me assure you: this is an isolated guitar riff reamplified, slowed down, and stretched to an hour… and almost nothing more.
✦✦✧✧ This is a very mixed bag for me. On the one hand, Allegaeon’s reputation for being an innovative and supertechnical prog death metal act continues with this album. On the other hand, it’s dogged by a persistent sense of detachment. I chalk it up to an underrepresentation of dynamics or variety, which is a weird thing to say in the middle of a super shreddy arpeggiostorm, but there it is.
✦✦✧✧ Solid prog metal from the Cynic and Sadus school of neoclassical musicianship and sooooo much fretless bass (good to hear Hugo Doyon-Karout’s tireless perambulations all over the place). This is an interesting and promising debut; while it loses points for cookie monster vocals and overall anemic production values, it’s still an almost-great album.
✦✦✧✧ This is a more proggy kind of Floridian death metal (think old school Morbid Angel with just a hint of Pestilence or Malevolent Creation thrown in). Emphasis on Floridian: this band seem to have doubled down on a garage band ethic, albeit with some welcome bass in the mix; worse is the band’s disregard for the listener’s flow.
✦✦✧✧ There are a number of reasons to dislike this solo project from one of Lamb Of God’s guitarists. It’s fucking weird to start a 2019 album with a track sung by Chester Bennington (R.I.P.). It’s less weird to follow it up with vocalists from Papa Roach and Screaming Trees. But mostly, the album swings from metal to alt rock and back again, and the moves toward the latter rarely pay off for me.
✦✦✧✧ Trvly emotive and moody, if not entirely memorable or innovative black metal. The piano and violin are welcome additions to Soar’s atmospheric style. And the vocals take a reasonable back seat to the rest of the proceedings. All in all, my favorite Soar album to date, for what that’s worth.
✦✦✧✧ This is somewhere between doom and death metal, but not fully either. This album somehow manages to sound familiar yet totally unique. But it’s also somewhat uneven when it comes to the songwriting; another editorial pass or two would have propelled this album to three stars, I’d wager. But do listen to it, and tell me what you think.
✦✦✧✧ It’s an Overkill album. New Jersey’s most steadfast thrash organization gives us pretty much exactly what we want them to, god bless ’em.