Russian Circles — Blood Year
✦✦✧✧ To be honest, this one’s kinda boring. (Just contrast this to the new Elder album, and you’ll see how much Russian Circles could have done with instrumental shoegaze.) See the rest here
First Listens With Two-Star Ratings
Abyssal — A Beacon in the Husk
✦✦✧✧ This doom album is a very mixed bag for me. On the one hand, if you’re looking for a recording of a band who are delivering jawdropping riffs, or you want to shake your fist triumphantly at the sky, this album is not for you in the slightest. On the other hand, I’m hardpressed to name another album this year that is as successfully moody, evocative, or noisome. See the rest here
Thy Art Is Murder — Human Target
✦✦✧✧ The last time TAIM put out an album, I said, “Typically, one doesn’t listen to TAIM for subtlety, or innovation, or expansion of the genre. One listens when in need of a good beating.” So why o why did they put a heightened emphasis on vocals, unclear yet fast riffing, prominent fake snare hits, and a generally squishy sonic character? See the rest here
Hatriot — From Days Unto Darkness
✦✦✧✧ I wouldn’t even call this rethrash: this is instead newly-minted vintage Bay Area thrash. (Oakland represent!) With a little more self-restraint/editing and crisper production, this album could be a modern classic. See the rest here
Torche — Admission
✦✦✧✧ At its best, this album reminds me of vintage Sub Pop; at its worst, this is just more hipster-sludge. Of special note is the production, which offers a dynamic range of a shouting match. At least the songs are all mercifully brief. See the rest here
Sabaton — The Great War
✦✦✧✧ Do you like well-produced power metal that deals with warfare? Then you already know about Sabaton, and this album gives you more of what you’ve come to expect. For the rest of us: this is sortakinda epic symphonic Eurometal with awkward vocals but tasty guitars. The most entertaining part of this album (about World War I) is just how literal the lyrics are; for proof, you need go no further than such songs as “In Flanders Fields,” “82nd All The Way,” and of course “The Red Baron.” See the rest here
This Gift is a Curse — A Throne of Ash
✦✦✧✧ Sludgy black noise post-metal word salad ouch my fucking ears! This makes The Armed sound tame, Torrential Downpour sound predictable. And that’s the main problem here: the album is such a punishing listen, I’m having a hard time feeling any kind of relationship to the music. See the rest here
Possessed — Revelations Of Oblivion
✦✦✧✧ The band once known as the launching pad of Larry LaLonde, and whom no one has heard from since my college days, are back with some new Bay Area thrashy death metal. And yet, everything from the guitar tone to the still of riffage to the production by Hypocrisy’s Peter Tägtgren all combine to craft a package that is expertly and lovingly vintage. See the rest here
Darkthrone — Old Star
✦✦✧✧ Look: I’m giving this album two stars in part because it’s amazing that this duo is still making music (if you know of any other studios at nursing homes, let me know!), but otherwise I could do without it. This is allegedly an album that explores different genres, but it all still sounds to me like vintage Norwegian black metal. See the rest here
Fleshgod Apocalypse — Veleno
✦✦✧✧ This is a fun record to listen to. That said, whether you’re already a fan of FGA or are only hearing of their brand of orchestral tech death now for the first time, this album’s unvaried production and all-too-familiar riffage suggest that you should listen to the band’s previous album “King” instead. See the rest here
