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Der Weg einer FreiheitFinisterre

✦✦✦✧ This is not your run-of-the-mill black metal, although it ticks all the important black metal checkboxes. Instead of the humorless pastiche nature of the genre, Der Wag einer Freiheit opt for a more thoughtful, energetic, and thoughtful approach. You can hear it from the refreshingly calm intro, to the songs’ almost progressive composition, to the vigorous drumming (although the whole band is tearing it up throughout, in a way I’d have no reason to expect from other black metal bands).

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ExhumedDeath Revenge

✦✦✦✧ Not quite as Carcassy as their previous effort, which is a good thing; this is still very much an alternate-universe grindcore album in the best tradition of Exhumed, but now with 25% more originality woven into the mix. In fact, there’s enough originality here that, somewhere around the third half of the album, one tends to forget that this sounded like anything other than a wholly original collection of shreddy tunes.

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TriviumThe Sin And The Sentence

✦✦✦✧ This is the best and most interesting Trivium album since 2011’s “In Waves.” It’s shreddily heavy even when it’s not trying to be (dude, blast beats!), even as the band suppress their muscularity long enough to tick the other checkboxes. As always, Trivium are more transparent than most with their influences and “this-sounds-just-like”s, but the unpredictability of their mood swings helps offset that.

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The Black Dahlia MurderNightbringers

✦✦✦✧ Fast and furious, with just a hint of innovation to keep things fresh. While perhaps not as insta-classic as “Everblack,” this is a more successfully experiment suite of songs than even that esteemed album. Consistently energetic and enjoyable from start to finish, the band even manages to squeeze a bit of walk-on frippery into the album’s economical 33 minutes.

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Chelsea WolfeHiss Spun

✦✦✦✧ The disjointed nature of Chelsea Wolfe’s previous album “Abyss” is better comingled here, undoubtedly thanks in some measure to the production guidance of Kurt “Not My First Rodeo” Ballou. The same disparate influences from last time are still here: Massive Attack, V.A.S.T., Chris Cornell, Tori Amos, Wolves In The Throne Room.

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Ufomammut8

✦✦✦✧ Ufomammut have for years toiled to perfect the tricky subsubgenre of accessible progressive stoner doom. With that context, their latest album is a towering achievement in that pursuit. Emotive. Interesting. Exotic. Wandering. Concise. Hypnotizing. And now with 50% nastier bass tone! Worth at least two listens.

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AkercockeRenaissance In Extremis

✦✦✦✧ All hail the long-awaited return of the British band’s unique jazzy-gothy-doom-death alchemy. If anything, this Akercocke album is their most experimental, evoking in rapid and unpredicted fashion the works of Opeth, vintage Rush, Cocteau Twins, Napalm Death, Powermad, U.K., Leprous, Porcupine Tree… and on and on. A fascinating and rewarding listen.