Anti-Mortem — New Southern
★★☆☆ If I’m being unkind, I’d call this album a more boring Hellyeah. But you know what? This album is also fucking fun. You will nod your head, despite yourself. So there’s that.
★★☆☆ If I’m being unkind, I’d call this album a more boring Hellyeah. But you know what? This album is also fucking fun. You will nod your head, despite yourself. So there’s that.
★★☆☆ Doomy and dirgy and noisy as you want. It’d be a little unfair to dismiss YAITW as another Converge clone, as they do try to add some twists through this album…. but the comparison is impossible to avoid nonetheless.
★★☆☆ This instrumental ode to a dying star is groovy, man. Groovy.
★★☆☆ I’ve had this theory in my head for a while now: Prong has been dead and gone for almost 20 years, and everything we hear now from the band is akin to a new Michael Jackson release: resurrected from lost tapes and B-sides to the Cleansing and Rude Awakening recordings, perhaps propped up with guest musicians, but not truly new.
★★☆☆ I’ll be the first to admit that symphonic metal isn’t exactly my cup of tea. But this album fuses the typical orchestral bombast with a speed and heaviness that is as effective as the former is saccharine. Epica get props for doing something a bit more compelling than your usual fare… but good lord, is “The Quantum Enigma” overlong.
★★☆☆ This Mekong Delta does a great job of sounding like both modern-day and retro Fates Warning, with some touches of Symphony X and Rush all at the same time. It’s really strange. It’s also very self-indulgent. But their clear ambition is admirable, and at least it’s certainly interesting throughout.
★★☆☆ This is a good Floridian death metal album, and more of a return to form after last year’s more grindcorish “The Headless Ritual.” And yet, aside from updated production values, there’s not much here that stands out or excites me. I wouldn’t call it boring, but I wouldn’t call it special either.
★★☆☆ This is a curious prog metal album, one with great aspirations but quite a few stumbling blocks (the vocals and production chief among them). That said, if you’re looking for a Dream Theater clone with more unpredictability, this might make your day.
★★☆☆ This is solidly decent middle-of-the-road metalcore. There’s enough differentiation here that you might be able to differentiate Voice Of Ruin from As I Lay Dying or All That Remains, and there are a couple of interesting moments sprinkled throughout. But aside from all that mild praise, this album is fairly forgettable.
★★☆☆ Slightly more interesting than just by-the-numbers black metal, but this still manages to not come across as surprising or inventive. It falls somewhere between Burzum and Dethklok somehow.
This work by Metalligentsia is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.