✦✦✧✧ Man, these guys fucking love the pirate life. Especially the drinking part. You can almost hear the mugs of grog and beer sloshing on every track. If you’re already a fan of this kind of beerhall metal (somewhere between Amon Amarth and the Dropkick Murphys), you won’t be disappointed or surprised by this album. See the rest here
✧✧✧✧ Unfulfilling, unfinished, and wildly uneven… for all the reasons that you’d come to expect from latter-era Danzig (i.e.: not produced by Rick Rubin) I don’t mind the slower bluesy vibe of this album; Danzig The Band was always about that devil blues anyway. What I mind is the irredeemable descent into narcissism that this project seems to have undergone. See the rest here
✦✦✧✧ COOOOOOOKIEEEEEE MOONNSSTEEERRRRRRRRRR
Very few surprises from these deathcore veterans, other than a subtle hint of melody lurking somewhere in the hydraulic presses of this concise juggernaut. See the rest here
✦✦✧✧ What happened?! Somewhere between their last album and this one, STS decided to start sounding like a puréed mix of themselves, Periphery, Animals As Leaders, The Algorithm, and Eric Johnson. The shredding is delightful, which is to be expected… but everything else feels like a misstep. Disappoint. See the rest here
✦✦✧✧ This lives somewhere in the imagined intersection of Linkin Park, Deftones, Ill Nino, and Miley Cyrus. There’s an unfortunate tendency toward overproduction flourishes like full stops and other digital atmos effects that neuter any chance for momentum. That said, every single track on this album is under 4 minutes in length, which is perfect for this kind of guilty pleasures. See the rest here
✦✦✧✧ Moody melodeath (melodoom?) that manages to sneak in a couple of surprises. I hear echoes of Emperor, Omnium Gatherum, even In Flames. But more than anything, it reminds me of The Ocean. See the rest here
✦✧✧✧ This is just like Steel Panther! Only, you know, not at all funny. See the rest here
✦✦✦✧ DEP bassist Liam Wilson’s new supergroup (featuring members of The Faceless, Intensus, and John Zorn) go for a slightly-more-accessible-Gorguts sound with this, their debut album. Anyway, I’m assuming Wilson was the driving force of this band, as the resulting music is very firmly basscentric (never a complaint from Yours Truly). See the rest here
✦✧✧✧ The final chapter in a trilogy of blackened death metal albums about World War I, this album features music that feels as dated and overwrought as that description. At times, this feels closer to DETHKLOK than Behemoth. See the rest here
✦✦✧✧ The latest album from this grindcore supergroup (featuring members of Napalm Death, Brutal Truth, Cradle Of Filth, and Criminal) dishes out meaty if unsurprising fare. What it lacks in originality, this album more than makes up for in terms of remorseless and nasty speed. Nick Barker’s drumming is most notable, and propels the listener and the rest of the band through a tour of different styles and staples. See the rest here
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