✧✧✧✧ This album is so bad that it’s forcing me to talk about it, even though it’s clearly not even close to metal. Guitars give way to pianos, which give way to glitch? EDM? And through it all, Maynard continues his decades-long penchant for trolling those who love him most (although it feels like he may not even realize it any longer). See the rest here
✦✦✧✧ Muddy and meandering, this is a surprisingly limp effort from a band known for energetic excellence. The songs here feel underedited, in terms of musical refinement, emotional resonance, or even just plain length. And the shame of it is that, even with those knocks, you can still get a sense of what might have been: a unique, surefooted, melancholic masterwork. See the rest here
✦✦✦✧ This reminds me of Scatterbrain, and BTBAM, and of course goblins. There is an unsubtle goofiness here, although it’s self-aware, joyous, and purehearted in its silly purity (something I could never say of cringeworthy Steel Panther, for example). If you can embrace the obvious goofiness of the band’s conceit, you’ll be rewarded with some objectively technical melodeath. See the rest here
✦✦✦✧ This reminds me of Torrential Downpour, Norma Jean, Converge, Sumac, Rolo Tomassi, and a kick to the nuts. See the rest here
✦✦✧✧ COOOOOOKIEEEEEEEEEEE! All kidding aside, it was perhaps a tactical mistake for Kalmah to start their latest melodeath album with such a seemingly stereotypical beerhall tune, as that obscures the vitality and innovation found throughout the subsequent tracks. That said, the hits are also surrounded by a few duds and headscratchers. See the rest here
✦✦✧✧ Oh, so wintry, blackest of metals, folksiest of dirges. Behold, the snow on the very cover. Observe, the hooting of a fucking owl.
This is not nearly as winsome as Panopticon’s previous album “Autumn Eternal.” At least it occasionally kinda shreds, but it wouldn’t kill Austin Lunn to use a tuner. See the rest here
✦✦✧✧ Absolutely no surprises here: this is textbook power metal, with standout vocals from Tommy Karevik, of course, but not much else to stick in one’s memory. There’s nothing here that I would remotely think of as “bad”… also but nothing here to really stir anyone’s blood. See the rest here
✦✦✦✧ Technical death metal in metalcore’s clothes. This has more in common with Machine Head and Gojira than Killswitch Engage, even as it evokes the best of all those bands. Nasty, surgical, full of swagger and juicy riffs. Most definitely a must-listen. See the rest here
✦✧✧✧ Light The Torch (née Devil You Know) take a giant step toward metalcore mediocrity with this, ostensibly now just The Howard Jones Show. There’s almost no perceptible energy on this album whatsoever, and every single three-minute song is probably at least a minute too long. See the rest here
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