✦✦✦✧ It’s immediately apparent that this is less a collection of bangers and more a sonic journey, likely intended to be consumed in undisturbed sequence. Any hopes for analogues to “Sober” or “Stinkfist” are bound to disappoint; while the tracks flirt with delivering the metal goods, this album is not mosh pit fodder. See the rest here
✦✦✦✧ While The Police were falling apart in the mid 1980s, Stewart Copeland put increasing energy into scoring for film and television. One of his first products was a soundtrack for the TV show The Equalizer… an ultra digital, mood- and tone-heavy soundscape with elements at turns progressive, jazzy, and dark. See the rest here
✦✦✧✧ I absolutely didn’t want to like this at all… but it’s fun! Dirty-ass riffs, dirty-ass vocals, massive dirty-ass bass… even the production makes a point of being filthy. If you’re not an uptight purist, have even a little respect for a punk sensibility, and don’t mind getting some mud on your clothes, this album may be just the treat you need right now. See the rest here
✦✦✧✧ Hey, this new Linkin Park is pretty rockin’! See the rest here
✦✧✧✧ Some people really get off on slam death metal: the lack of subtlety, the cookie monster vocals, all of it. Even within that niche subgenre, this is not a great example of the form. It’s definitely a step up for Pathology, and I can hear them trying to do new cool stuff. See the rest here
✦✦✧✧ To be honest, this one’s kinda boring. (Just contrast this to the new Elder album, and you’ll see how much Russian Circles could have done with instrumental shoegaze.) See the rest here
✦✦✦✧ Djenty deathcore with a shiny (somewhat distractingly) digital gloss. Even more Vildhjarta-ish than Vildhjarta (which makes a kind of sense, seeing as HLB currently boasts two members of that other band). One thing’s for sure: this album is unformulaic, jarring (djarring), and above all else, dark. See the rest here
✦✦✦✧ “Hey man, good to see you again! …Me? I don’t know… ‘How long I’ve been a Deadhead’? I dunno… But then, what is time anyway? I mean, it’s all just a construct, you know what I mean? A figment. Wow, man. Wow.” See the rest here
✦✦✦✧ See, this is how you spring from a retro sound and make it fresh and fun! This epic tech-inspired deathcore album evokes comparisons with Fleshgod Apocalypse or Anaal Nathrakh more dependably than Thy Art Is Murder or Whitechapel, and this is a good thing. Oddly, the tracks with guest appearances by Alissa White-Gluz and Angel Vivaldi don’t add much; fortunately, the rest of the material stands on its own. See the rest here
✦✧✧✧ Why is everyone trying to go industrial in 2019?! I mean, I get that cultural trends come back every 15-20 years, but why not bring back early Mastodon or Slipknot? Considering the greatness of the band’s previous album, the post-djent masterpiece “Mesmer,” this feels like a step backward when considering any criterion imaginable. See the rest here
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