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A long essay about Judas F-ing Priest

So, I’m covering the hospital for the first time in a couple of years… It’s a two week stint, and I’m almost done with my first week. It’s been really great; I‘ve been totally enjoying myself working with the team, seeing patients, doing a lot of teaching. The part that’s more relevant to you, however, is that I have a 35 minute drive to and from the hospital, as opposed to my usual 10 minute commute, which allows for the return of Band of the Week™!

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The Avenger

Now, on to 1999’s the Avenger. The opening drum flourish lets you know that, if nothing else, Amon Amarth have raised the production values on this one from the somewhat lackluster sound of their debut album. Other than that, very little has changed on this platter. They continue with their already comfortable midtempo minor key riffing, trademark sound in place.

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Surgical Steel

To the moment we’ve all been waiting for! Surgical Steel. In a way, my plan for the week backfired a bit, since my brain is thoroughly Carcass-addled after my immersion in their oeuvre. It’s very likely I looked like an idiot, or possibly a madman, as I was incessantly humming riffs sotto voce in the hospital halls this weekend in between (and even sometimes while—I couldn’t stop) examining patients.

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Heartwork

Heartwork is a 41 minute, 10 track masterclass in heavy metal songwriting that should be required listening by all new bands before they try to record an album. “You think you’ve got the goods? Listen to this and then get back to me!” Where as in the prior album Carcass expanded their sound and style to the highest degree, with complicated, almost progressive arrangements, long songs, and baroque lyrics and solo titles, everything about this album is about economy (well, except what it cost to record it, methinks).

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Tools of the Trade E.P.

This is a nice little nugget, presumably recorded during the Necroticism sessions given the consistent sound. Like what was to be found on the Heartwork E.P., the title track of this one is as good or better than some of the album tracks, but something about it (maybe the somewhat comical lists in the verses) kept it from quite fitting with the whole of the album.

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Necroticism: Descanting the Insalubrious

Now we’re talking. Does heavy metal get any better than this? I can still remember a little chill up my spine when I heard the first little Maidenesque harmony guitar fill, popping up like magic out of the detuned background. To me, this said: expect the unexpected–”sure, we’ve got the murder scene photos on the cover, the ridiculously pretentious title, and the faux med school lyrics, but we’ve also got this, so stick with us.”

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Reek Of Putrefaction

OK, so on to grindgore classic Reek of Putrefaction! I can remember first hearing bits of this album freshman year in college from an early (and decidedly nonmetal) hipster on vinyl, looking at the cover, and thinking: “what is this shit?!?” It was just too much for me at the time–what can you do?

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Symphonies Of Sickness

Is there any metal band that has progressed more from one album to the next than Carcass between their first two releases? Here is where the pieces start to come together, though they are not quite complete. With SoS, their new ambition and scope becomes evident with longer, more intricate compositions, a few solos and melodies that are clearly more thought out than on RoP.