DevilDriver — Trust No One
✦✦✧✧ It’s melodeath, sounding like a fusion of… just about everything else. Very solidly okay metal. It’s not particularly imaginative or memorable, but it does what it says on the tin.
✦✦✧✧ It’s melodeath, sounding like a fusion of… just about everything else. Very solidly okay metal. It’s not particularly imaginative or memorable, but it does what it says on the tin.
✦✦✦✧ Bay Area thrash is alive and well! This album sounds like vintage DA, mashed up with some Machine Head, Racer X, Exodus, Sick Of It All, Metal Church… in other words, a melange of vintage early 90s metal. As such, don’t expect any innovation, other that crisp, updated production. You’ll still be quite happy with the expertly delivered headbanging.
✦✦✧✧ This album starts off feeling like a less compelling, emotionally vacant synth demo cover of Chimp Scanner. The chiptune stuff is at least different than what I’m used to hearing in our genre (which works, from a metalcore-adjacent standpoint). That said, and I never thought I’d say this: knowing upfront how electronic this work is… just makes the drums’ “virtuosity” feel completely pointless.
✦✦✦✧ This is a glorious blend of Voivod and BTBAM, with generous dashes of older Slayer for good measure. At times, this carnival-like shredfest threatens to fly apart from its own frenetic momentum, but this is an entertaining riff salad all the same.
How can this be?! It sounds like thrash… but it’s from Hardrockica!
New (double) album comes out in November. If the rest of the album sounds like this, I’ll actually be looking forward to seeing Metallica in the next Arsies.
✦✦✧✧ This feels like the Microsoft Store of metal albums: internally consistent and well-done, but without much external validation or reason for existing. Props however for the unusual Phil Collins cover.
✦✦✧✧ In what I can only think of as an ill-advised move, Spylacopa’s third album find the band doubling down on their ambient shoegaze tendencies. At times, the music here bears a passing resemblance to Porcupine Tree at their more experimental. The tantalizing electronica motifs never really pay off, and only one song here (“Malice”) feels lackluster and unimaginative by comparison.
✦✦✧✧ For some reason, this reminds me of when Jonathan Davis of Korn had to hire that couple to write his lyrics because he’d run out of personal rage. There’s some good stuff on here, especially in the middle third of the album, but otherwise there’s a whole lot of pandering radio-friendly stoner bullshit to wade through.
The PRP called out the fact that at Sunday’s Metal Hammer Golden Gods Awards, while accepting an award for being metal royalty, an emotional Joey Jordison revealed that he left Slipknot in 2013 because his transverse myelitis destroyed his ability to play drums.
✦✦✧✧ On this album, the guitarist from Creed leads us on a deeper study into the question, “Who exactly is this album for?” The divide between metal-as-fuck music and radio-friendly vocals is wider than ever. Also, for some reason, when the metal lets up a bit, the experience is noticeably worse (as opposed to being some of the best parts of the predecessor “Cauterize”).
This work by Metalligentsia is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.