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Good TigerWe Will All Be Gone

✦✦✦✧ The supergroup’s sophomore album still has a lot of the magic as was evident in their 2015 debut “A Head Full Of Moonlight“, but the band’s musicality, emotionality, ambition, and strangeness are all dialed down a bit. This comes across more as a new maturity than any loss of momentum or inspiration, the result still captivating in its not-quite-*core pop-metal sensibilities.

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Machine HeadCatharsis

✦✧✧✧ What the actual fuck with this album.

There are touches here (isolated riffs, really) that remind me of the Machine Head I thought I knew: precise, mean, effective metal. The vast bulk of this album unfortunately is something else: a confused and incoherent melange, liberally peppered with references to latter-day nu metal staples like Slipknot and Korn.

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WatainTrident Wolf Eclipse

✦✦✧✧ More engaging than your typical old-school Scandanavian black metal, but don’t worry: the shitty production values and Crypt Keeper vocal stylings are still in full effect. Not quite as experimental as past Watain albums, but the band strike a good balance here between unusual chord progressions and obligatory-screaming-in-the-cold-forest fundamentals.

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Morbid AngelKingdoms Disdained

✦✦✧✧ Doggedly ferocious and unpristine, this is what you want a Morbid Angel to sound like. It’s also more interesting than I feared, with some clever and unusual riffs and moments buried under the bare brutality. And yet, this album often feels like a Frankenstein’s monster of death metal B-sides and bridges crammed together.