✦✦✦✧ Epic technical death metal that utterly shreds in the moment, but somewhat fails to stick in one’s memory. Also, it goes on and on and on. Still, it’s blistering and super impressive. These guys definitely put in the work (there’s probably something like a quarter million notes on this album, no exaggeration)! See the rest here
✦✦✧✧ The good: delightfully meaty riffs, a tight runtime, and a punkish production sensibility. The bad: there’s really not much else to say about this album. It gets the job done, but doesn’t give much reason to give it another thought otherwise. See the rest here
✦✦✦✧ This is the Platonic ideal of a stoner metal album, from one of the O.G. progenitors of the genre. Is it groundbreaking? Not really. Is it technically shreddy? Hell no. Am I going to put this on heavy rotation this weekend? Already on it, son. See the rest here
✦✦✦✧ TesseracT have expanded their emotional resonance on their fourth album, but the price is a somewhat lessened emphasis on their foundational djent. The sacrifice isn’t too dear, as the songs don’t spend too much time away from the band’s bread and butter. Speaking of time, I wish this album was longer; as it is, it is evocative of their debut EP “One” for brevity. See the rest here
✧✧✧✧ This album is so bad that it’s forcing me to talk about it, even though it’s clearly not even close to metal. Guitars give way to pianos, which give way to glitch? EDM? And through it all, Maynard continues his decades-long penchant for trolling those who love him most (although it feels like he may not even realize it any longer). See the rest here
✦✦✧✧ Muddy and meandering, this is a surprisingly limp effort from a band known for energetic excellence. The songs here feel underedited, in terms of musical refinement, emotional resonance, or even just plain length. And the shame of it is that, even with those knocks, you can still get a sense of what might have been: a unique, surefooted, melancholic masterwork. See the rest here
✦✦✦✧ This reminds me of Scatterbrain, and BTBAM, and of course goblins. There is an unsubtle goofiness here, although it’s self-aware, joyous, and purehearted in its silly purity (something I could never say of cringeworthy Steel Panther, for example). If you can embrace the obvious goofiness of the band’s conceit, you’ll be rewarded with some objectively technical melodeath. See the rest here
✦✦✦✧ This reminds me of Torrential Downpour, Norma Jean, Converge, Sumac, Rolo Tomassi, and a kick to the nuts. See the rest here
✦✦✧✧ COOOOOOKIEEEEEEEEEEE! All kidding aside, it was perhaps a tactical mistake for Kalmah to start their latest melodeath album with such a seemingly stereotypical beerhall tune, as that obscures the vitality and innovation found throughout the subsequent tracks. That said, the hits are also surrounded by a few duds and headscratchers. See the rest here
✦✦✧✧ Oh, so wintry, blackest of metals, folksiest of dirges. Behold, the snow on the very cover. Observe, the hooting of a fucking owl.
This is not nearly as winsome as Panopticon’s previous album “Autumn Eternal.” At least it occasionally kinda shreds, but it wouldn’t kill Austin Lunn to use a tuner. See the rest here
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