Gridlink — Longhena
★★☆☆ Jazzier than your usual grindcore fare, but just as typical in its brevity, this 22-minute EP is a fun enough hit-and-run that you’ll nevertheless have a hard time remembering past the first few tracks.
★★☆☆ Jazzier than your usual grindcore fare, but just as typical in its brevity, this 22-minute EP is a fun enough hit-and-run that you’ll nevertheless have a hard time remembering past the first few tracks.
★★★☆ Steel Panther have elevated the act of crass party-time parody into high art. There’s a cognitive dissonance between, for example, between the near-perfect emulation of Journey’s brand of anthemic balladry and the lyrical content of “Bukkake Tears.” And so the whole album goes. The nonsense is right at the surface at all times, but the hair metal the band wields is expert enough to help you forget.
That’s a tough one to answer, honestly. They’re all good, and all slightly different from each other. Worse, it’s not like the shifts from album to album are linear progressions, per se. Sworn To A Great Divide feels like the album that’s the closest to The Living Infinite in terms of their blend of metal and melody, but The Panic Broadcast is a great album in its own right (and more of a rager).
★★☆☆ This album has some truly great moments, surrounded by truly unremarkable stretches. The Ahnold schtick has never sounded more tired, but the unavoidable skits are quickly forgotten in the face of all the different shredz. And yet, never has 46 minutes felt so long. Triple Brutal is worth a listen, if you are man enough to make it all the way through.
★☆☆☆ I imagine that this is what Monster Magnet or Queens Of The Stone Age would sound like if they ever full-on committed to being a sludge-metal band.
★★★☆ A fairly uneven, but wildly entertaining collection of post-death songs. During the moments that really work (which are at least half of the album), you’re treated to a Gorguts-style grossfest, but with Glassjaw-like deconstructionism. Definitely worth at least one listen, all the way through.
★☆☆☆ I don’t always listen to sludge, but when I do, I at least require it to have more sonic depth than “By-Tor & The Snow Dog.”
★★☆☆ This is very interesting and enjoyable. This is also about as hardcore as Mahavishnu Orchestra. It actually sounds a lot like UK in places. So I give it enthusiastic praise for modern jazz fusion, but it’s a complete waste from a metal perspective.
★★☆☆ This sophomore album from Epica-by-another-name is chock full of the hallmarks of any good symphonic death metal recording: lush arrangements, over the top drama, and quietly excellent guitarwork. However, this album has a bit of an identity crisis on its hands, at times evoking Soilwork, Ludovico Einaudi, and prog rock.
★☆☆☆ A very boring album, even by black metal’s standards of relentlessness.