Sylosis — Dormant Heart
★★☆☆ A meatily-produced album of post-metalcore (I just made that up) that nevertheless manages to feel both overlong and disposable. Good for a listen, but I’ve already forgotten it. See the rest here
Category: First Listens
Tortorum — Katabasis
★★★☆ This is quite simply one of the finest black metal albums of 2014. With the right kind of ears, you could hear this as if Deliverance-era Opeth decided to fully commit the dark. And the reverb. See the rest here
Nervosa — Victim Of Yourself
★★★☆ This is satisfyingly straightforward thrash, not bogged down by overthinking or overproduction. There is a sameness to the material and pace that starts to bog you down after a while, but the overall sound is just different enough to not sound too derivative (while still be very firmly rooted in the genre it so lovingly emulates). See the rest here
A Sense of Gravity — Travail
★★☆☆ I’m going to throw out some names that crossed my mind as I listened to this prog metal epic, and you tell me if you can resist the siren call: Textures. Chimp Spanner. Allan Holdsworth. Fredrik Thordendal. Compelling, right? And yet, about halfway through, the album loses its footing and starts sounding like just another djent band. See the rest here
Gamma Ray — Empire of the Undead
★★★☆ A throwback? Perhaps. But this album from Helloween-offshoot Gamma Ray also offers an updated take on some vintage power metal, with hints of Savatage, Queensrÿche, Blind Guardian, and yes Helloween. And Priest. And Queen? And to be honest, the album starts to overstay its welcome about two thirds of the way in. See the rest here
Equilibrium — Erdentempel
★★☆☆ Holy fuck, is this folksy. With most other bands, folk metal tips over too easily into awkward caricature. But somehow, not only do Equilibrium avoid this trap, but their unflinching commitment helps them create an authenticly uplifting headbanging experience. At its best, “Erdentempel” sounds like Týr as performed by DragonForce. See the rest here
Lvcifyre — Sun Eater
★☆☆☆ Blech. I mean, for blackened death metal, it’s pretty good. But it’s so self-consciously de rigueur that the whole thing reeks of awful familiarity. See the rest here
Cretin — Stranger
★★★☆ This is a fun half hour of grindcore, as perfectly gross, silly, and sloppy as the genre demands. You’ll likely appreciate it more if you keep in mind that this is the product of a co-ed Bay Area supergroup, featuring ex-members of Exhumed, Repulsion, and local heros The Iron Maidens. See the rest here
Hannes Grossmann — The Radial Covenant
★★★☆ This is a mighty fine riff salad of an album. And while there’s plenty of room for Obscura’s drummer to showcase his percussive abilities, he also does a great job as composer and ringleader here. The music is proggier than I was expecting (always a bonus), and the sound comes from somewhere between Obscura and Marty Friedman. See the rest here
A Breach Of Silence — The Darkest Road
★☆☆☆ I’m not sure whether to call this powercore (as the band’s marketing materials would want), or bro-metal or what, but it’s unfortunately very lackluster and derivative. See the rest here
