✦✦✧✧ Poppy Eurodisco industrial which still works well enough. It kinda reminds me of a more party-friendly Rammstein, or a more aggressive Yello, if that means anything to you. (Oh yeah.) If you’re not already a fan of KMFDM, this isn’t going to bring you into the fold. But if you do already dig KMFDM, I’m sure you’ll eat this up. See the rest here
✦✦✦✧ Continuing their exploration of kitchen-sink post-deathcore, EE sacrifice cohesion for a cavalcade of endlessly tasty bits. This turns out to be a winsome choice, and a recipe for a grower of a record. As was also the case of its predecessor, the album is possibly 15 minutes too long for my attention span, but so what? See the rest here
✦✦✧✧ This is the second Static-X album to be at least partially constituted from tracks written and recorded by Wayne Static before his death in 2014. As such, don’t be surprised by the strong industrial nu-metal nostalgia that permeates this music. All that said, this is much more entertaining than I thought it’d be. See the rest here
✦✦✦✧ This album marks a subtle pivot for the band, emerging from CoViD as a djentier yet still proggy version of themselves (less Textures, more TesseracT). The music still tends to groove, it shreds when it needs to, and is remarkably listenable for an album that has three longform pieces (counting the 22-minute four-part title track). See the rest here
✦✦✦✧ Man, Saxon just don’t give up! Their twenty-fourth studio album is guaranteed to get your fists pumping, my olds. Also, I’m a sucker for historically-themed midtempo metal, and this album that in spades, from the Battle Of Hastings to aliens in Roswell NM). Who needs to stray from the formula when you’ve got The Goods? See the rest here
✦✦✧✧ Man, this is the nasty. The production here both elevates and hamstrings the music; I really wish I could understand what the hell they’re even playing, but boy do they seem to be energized about something. See the rest here
✦✦✧✧ I refer to you perhaps my most beloved piece of critical writing ever, my previous Panopticon first listen. See the rest here
✦✦✧✧ This is catchy enough for power metal, almost shreddy enough for speed metal, and not nearly interesting enough for progressive. See the rest here
✦✦✦✧ Unrelenting tech death… you can really feel that Long Island rage! More than ever, this album has something old and something new for you. New vocalist Ricky Myers does a fantastic job filling Frank Mullen’s nasty shoes. There aren’t that many earwormy hooks on this album… but honestly I’m just saying that because I can’t think of anything else to criticize here. See the rest here
✦✦✧✧ At last, a pretty solid album from Prong! Tommy Victor is an excellent form as ever. The songs are more reminiscent of Beg To Differ than anything else they’ve put out in the last decade, and that’s for the good. So what if some of the songs sound like Black Label Society, or Biohazard, or Body Count? See the rest here
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