Chelsea Grin — Suffer In Heaven
✦✦✦✧ Deathcore brutality par excellence. What it lacks in variety, it makes up for with clever sound sculpting, thoughtful brevity, and endless kicks to your teeth. See the rest here
Category: First Listens
Kamelot — The Awakening
✦✦✧✧ It’s… fine. Great vocals and a gorgeous mix, but it’s odd to have an anthemic power metal feel like it’s missing emotionality. This is a modest improvement, but still feels like a band actively trying to find their winning formula. See the rest here
Katatonia — Sky Void Of Stars
✦✦✦✧ More settled than the 2020 predecessor City Burials, this album is surefooted, dynamic, and above all else, hauntingly emotive. So the band is less and less progressive with each album. And sure, it sounds like they’ve taken another step closer toward being Leprous (but that’s not much of a tragedy). See the rest here
Periphery — Periphery V: Djent Is Not a Genre
✦✦✧✧ A little more noisy than usual for Periphery, which is a welcome bit of spice. As usual, they’re at their best when they let themselves off their own chains and go djenty-heavy. Alas, the shredding material here is countered by synthwave, atmospheric frippery, or stuff I imagine is intended to be radio-friendly. See the rest here
Gorod — The Orb
✦✦✦✧ A dense techdeath masterclass, somewhere between Revocation and Gorguts. The musicianship on display is faultless, and the songwriting is surprisingly catchy and memorable. Did I mention that it’s also heavy? It’ll give you a good neck workout, headbangers. See the rest here
Obituary — Dying Of Everything
✦✦✧✧ These Floridian death metal veterans sometimes deliver the goods exactly as I want them (ie, vigorous yet classic death). Sometimes they take one riff and drive it into the ground. Sometimes they just confuse me. I’m jut glad they’re still at it! See the rest here
The Callous Daoboys — Celebrity Therapist
✦✦✧✧ I miss The Dillinger Escape Plan too, but c’mon. See the rest here
Dead Cross — II
✦✦✦✧ This is one of those relatively rare projects that features Mike Patton but isn’t entirely an exercise in unlistenable self-indulgence. And actually, the real star of the show here is guitarist Mike Crain, who is at least as focused on texture and noise than hardcore riffing. All for the good; even Dave Lombardo is less ostentatious, in service of the music. See the rest here
Slipknot — The End, So Far
✦✦✦✧ Experimental even by The Knot’s standards, this album aims to see how far the band can push their envelope and their famously rabid fanbase. To that end, while it’s likely 10 minutes too long, there’s plenty of ear candy throughout the album. (Spoiler: there’s a track midway through the album that reminds me of Tool inexplicably.) See the rest here
Arch Enemy — Deceivers
✦✦✦✧ This album showcases Alissa White-Gluz’s vocal virtuosity in a way that makes me forget once and for all that she wasn’t the band’s first vocalist. Hers is clearly the standout performance here… impressive, considering that the rest of the band also turn in some world-class performances. The songwriting is a smorgasbord of every way a band can be faithful to the European melodeath banner. See the rest here
