avatar

MinskThe Crash And The Draw

★★★☆ A deft, disturbing, and thoroughly captivating 75 minutes of doomy post metal, cut of the same cloth as Indian, Isis,  and The Ocean at their most plodding. There’s not a dull moment here, which is saying something; while it’s a long work by any objective measure, it generally doesn’t feel overlong, Still, this is Minsk’s best work so far.

avatar

AbioticCasuistry

★★☆☆ A masterfully performed collection of technical death metal tunes, marred by wildly uneven pacing, and by how blatantly derivative it is throughout the whole album (lifting whole-cloth from Meshuggah, BTBAM, Intronaut, The Faceless, and a bevy of others).

avatar

Therapy?Disquiet

★★☆☆ This is a mixed bag of an album. On the one hand, the band’s production has never sounded so good. On the other hand, I can’t think of a time when they sounded more impotent. The net result is not unlike what you might get if XTC put out a Nirvana covers album.

avatar

OceanoAscendants

★★★☆ For my money, this is one mean improvement over the last Oceano album. To get there, apparently the band traveled halfway between The Acacia Strain and Vildhjarta… and then tunneled straight down. With the right kind of thinking, you can hear this as an intellectual level-up. With a different kind of thinking, this is a suitable soundtrack for breaking your hand on concrete.

avatar

Irreversible MechanismInfinite Fields

★★★☆ Impressive. Most impressive. This album bears more than a passing resemblance to The Faceless, Obscura, and other technodeath groups, which is the good news. The bad news is that, while it’s eminently replayable, it just misses the mark in terms of emotional resonance. Too many notes, perhaps? Still, I put this in my Don’t Miss bucket.

avatar

The Monolith DeathcultBloodcvlts

★☆☆☆ This album reminds me very much of the transition that Malevolent Creation made from the sublime “Retribution” to the forgettable followup “Stillborn.” Similarly, many of the elements found on “Tetragrammaton” are present and account for on this new album, but this time around the combination just doesn’t work nearly as convincingly or compellingly enough.