The Callous Daoboys — Celebrity Therapist
✦✦✧✧ I miss The Dillinger Escape Plan too, but c’mon.
✦✦✧✧ I miss The Dillinger Escape Plan too, but c’mon.
✦✦✦✧ This is one of those relatively rare projects that features Mike Patton but isn’t entirely an exercise in unlistenable self-indulgence. And actually, the real star of the show here is guitarist Mike Crain, who is at least as focused on texture and noise than hardcore riffing. All for the good; even Dave Lombardo is less ostentatious, in service of the music.
✦✦✦✧ Experimental even by The Knot’s standards, this album aims to see how far the band can push their envelope and their famously rabid fanbase. To that end, while it’s likely 10 minutes too long, there’s plenty of ear candy throughout the album. (Spoiler: there’s a track midway through the album that reminds me of Tool inexplicably.)
✦✦✦✧ This album showcases Alissa White-Gluz’s vocal virtuosity in a way that makes me forget once and for all that she wasn’t the band’s first vocalist. Hers is clearly the standout performance here… impressive, considering that the rest of the band also turn in some world-class performances. The songwriting is a smorgasbord of every way a band can be faithful to the European melodeath banner.
✦✧✧✧ Moody, atmospheric, but ultimately not very compelling instrumental guitar rock. I can’t even make a wah-pedal joke about it until 12 minutes in! Maybe James and Lars let Kirk do this, on the condition that it didn’t challenge Metallihegemony?
✦✦✦✧ This is one tight album, a fact all the more impressive when you read that most of the instrumental work was tracked together as a band, and when you realize that this LOG album is the debut of the band’s new drummer Art Cruz (who does an excellent job ascending to his new throne).
✦✦✦✧ This is the best Machine Head album of the last five years. So what if it’s ten minutes too long, and will simultaneously remind you of three other Machine Head albums so much that you’ll actually wonder if they’re covering themselves. It’s like a not-very-good pizza: it’s still pretty fucking good.
✦✦✧✧ This is quintessential Soilwork product, even if it’s not imaginative or evocative. You get your hard rockers, your blast beat riffs, your anthemic choruses. Mostly this album sounds like a good enough reason for the band to tour again, so I’ll take it!
✦✦✧✧ This new Megadeth album feels more like a successor of Rust In Peace or Countdown To Extinction than any other Megadeth album from the last fifteen years. Some of the songs on here even come close to Classic status. But it’s a long listen (even if you skip the last two uninteresting cover songs on the album).
✦✦✦✧ A highly anticipated prog metal album from Bay Area heroes does not disappoint. Newcomers to the band (and scene veterans) Evan Brewer on bass and Kyle Schaefer on vocals add a anchoring fullness to the sound, which is even shreddier than ever. And it’s nice to hear a return to a more dynamic sound.