Hellyeah — Blood For Blood
☆☆☆☆ Jesus. When did Hellyeah turn into Static X?
☆☆☆☆ Jesus. When did Hellyeah turn into Static X?
★☆☆☆ Well, I’ll give them this much: “Dead Hymns” sure is unfriendly. Tiger Flowers sound like big fans of Dillinger and Glassjaw. Unfortunately, this album (while undeniably aggressive) is not nearly as interesting as anything I can expect from either of those other bands.
★★☆☆ On the one hand, this is a step up for the band from their eponymous 2012 release. The songwriting is an evolution from their deathcore-by-the-numbers approach, at times evoking a Lamb Of God or even a latter-era Carcass. On the other hand, the band do still suffer a lot from large swaths of unmemorable flexing.
Last night, I went to see Meshuggah live, on their minitour celebrating 25 years of music (with Between The Buried And Me as support). The bands were both in fine form, but it was an odd night, insofar as the band’s conceit of playing a set of material largely in chronological order led to pacing issues.
★☆☆☆ If there’s any confusion as to why I’m giving the latest Eyehategod such a low score, ask yourself this: how highly would you think of this album if it was the debut release of some band not named Eyehategod? Ya wouldn’t.
★★☆☆ On the one hand, this is a hefty platter of wall-to-wall guitar wankery, with a lot of riffs sounding like they came from the BTBAM playbook. On the other hand, the tracks are so meandering as to make it really difficult to latch on to or remember. A fun enough listen, but not one that’s going to stick with you.
★★★☆ This is in many ways just another Crowbar album… but at the same time it’s cleaner, darker, heavier, sludgier, and more expansive. There’s a later-album vibe to a lot of the material here (obvs), but all the same this whole album is a smack in the ass (and you know I mean that in the nicest way possible).
★★☆☆ Take any Kurt Ballou-produced crust band, cross it with the slow dirge of an Isis or Murmur, and you’ll get this album. And you know, giving the former’s punch-in-the-nuts ethic enough of the latter’s room to breathe and meander works more often than not. When it doesn’t work, it’s just boring… but there’s still enough here to commend a listen.
★★☆☆ If I’m being unkind, I’d call this album a more boring Hellyeah. But you know what? This album is also fucking fun. You will nod your head, despite yourself. So there’s that.
★☆☆☆ I wanted to like this a whole lot more than I actually did. It definitely wields an unorthodoxy, approaching many well-worn tropes without using them. And that’d be a lot more commendable if the music had hooks or melodies or other qualities to go along with their unusualness. Still, if you’re a fan of Misery Signals or Devin Townsend, you might enjoy it.
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